Aggregato press release
Thomas Dane Gallery, Naples, Italy
2018
Aggregato press release
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Copper Table (PK 55 designed by Poul Kjœrholm: Miami Beach Convention Center, Miami Beach, Florida, December 3–6, 2009)
Polished copper
26 3/4 x 55 1/2 x 33 1/2 inches (13/16 inch top)
Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90° Bend, 60” Bisection/Section 3: October 20/27, 2014, Paris, France; November 25/January 26–27, 2014, London, United Kingdom; September 10, 2018, Naples, Italy)
Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 5: November 25/January 26–27, 2014, London, United Kingdom; September 10, 2018, Naples, Italy)
Polished copper
11 x 60 x 60 inches
1:4 Scale Copper Surrogates (90º Bends, 127 1/2” 150º Antidiagonal/30º Diagonal Bisection, 77 3/4” 45º Diagonal/135º Antidiagonal Bisection, 60” Bisection, 120” Bisection, 127 1/2” 30º Diagonal/150º Antidiagonal Bisection, 77 3/4” 135º Antidiagonal/45º Diagonal Bisection: April 10, 2014/August 13, 2018, Los Angeles, California, September 11, 2018/September 12, 2018, Naples, Italy)
2014–
Polished copper, 6 parts
1:4 Scale Copper Surrogates (90º Bends, 127 1/2” 150º Antidiagonal/30º Diagonal Bisection, 77 3/4” 45º Diagonal/135º Antidiagonal Bisection, 60” Bisection, 120” Bisection, 127 1/2” 30º Diagonal/150º Antidiagonal Bisection, 77 3/4” 135º Antidiagonal/45º Diagonal Bisection: April 10, 2014/August 13, 2018, Los Angeles, California, September 11, 2018/September 12, 2018, Naples, Italy)
2014–
Polished copper, 6 parts
Cortés (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico; September 14–19, 2018: Real Fabbrica della Porcellana di Capodimonte, Napoli, Italy)
2013–2018
Ceramica Suro slip cast remnants, glaze, firing plate, and steel, wood, and soft-paste porcelain
20 1/2 x 19 1/2 x 29 inches
Detail of Cortés (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico; September 14–19, 2018: Real Fabbrica della Porcellana di Capodimonte, Napoli, Italy)
2013–2018
Ceramica Suro slip cast remnants, glaze, firing plate, and steel, wood, and soft-paste porcelain
20 1/2 x 19 1/2 x 29 inches
Lo Desconocido (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico)
2015
Ceramica Suro slip cast remnants, glaze, and firing plate
26 1/2 x 42 x 31 inches
Three Color Curl (CMY/Six Magnet: Irvine, California, September 6, 2009, Fuji Crystal Archive Type C, Em. No. 165-021, 07109)
2011
Color photographic paper
51 1/2 x 109 3/4 inches
Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 06410)
2018
Color photographic paper
106 x 51 1/2 inches
Copper Remnants (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/5 Sections)
Polished copper
Dimensions variable, 7 parts
Il Mattino, Martedi 11 Settembre 2018
Newspaper, tape, and 22 karat gold leaf
39 1/8 x 31 1/4 inches
Il Mattino, Mercoledi 12 Settembre 2018
Newspaper, tape, and 22 karat gold leaf
39 1/8 x 31 1/4 inches
Il Mattino, Govedi 13 Settembre 2018
Newspaper, tape, and 22 karat gold leaf
39 1/8 x 31 1/4 inches
Il Mattino, Venerdi 14 Settembre 2018
Newspaper, tape, and 22 karat gold leaf
39 1/8 x 31 1/4 inches
Il Mattino, Martedi 18 Settembre 2018
Newspaper, tape, and 22 karat gold leaf
39 1/8 x 31 1/4 inches
Blind Collage (Three 180º Rotations, Il Mattino, Giovedi 20 Settembre 2018)
Newspaper, tape, and 22 karat gold leaf
39 1/8 x 31 1/4 inches
New York, New York, July 1, 2014, Frame No. 34
Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper
20 x 13 1/2 inches
Los Angeles, California, April 4, 2014, Frame No. 7
Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper
20 x 13 1/2 inches
Turin, Italy, November 3, 2011, Frame No. 4
Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper
20 x 13 1/2 inches
Turin, Italy, November 3, 2011, Frame No. 33
Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper
20 x 13 1/2 inches
A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)
2014
Bound letterpress and digital offset print volumes
27 11/16 x 19 5/8 inches, each
A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)
2014
Bound letterpress and digital offset print volumes
27 11/16 x 19 5/8 inches, each
A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)
2014
Bound letterpress and digital offset print volumes
27 11/16 x 19 5/8 inches, each
A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)
2014
Bound letterpress and digital offset print volumes
27 11/16 x 19 5/8 inches, each
A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)
2014
Bound letterpress and digital offset print volumes
27 11/16 x 19 5/8 inches, each
A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)
2014
Bound letterpress and digital offset print volumes
27 11/16 x 19 5/8 inches, each
A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)
2014
Bound letterpress and digital offset print volumes
27 11/16 x 19 5/8 inches, each
A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)
2014
Bound letterpress and digital offset print volumes
27 11/16 x 19 5/8 inches, each
Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 17, 2014
2014
Ink on paper
10 x 12 1/2 inches
Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 18, 2014
2014
Ink on paper
10 x 12 1/2 inches
Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 16, 2014
2014
Ink on paper
10 x 12 1/2 inches
Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 15, 2014
2014
Ink on paper
10 x 12 1/2 inches
Aggregato press release
Thomas Dane Gallery, Naples, Italy
2018
Aggregato press release
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Aggregato
Thomas Dane Gallery, Naples, Italy
2018
Copper Table (PK 55 designed by Poul Kjœrholm: Miami Beach Convention Center, Miami Beach, Florida, December 3–6, 2009)
Polished copper
26 3/4 x 55 1/2 x 33 1/2 inches (13/16 inch top)
Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90° Bend, 60” Bisection/Section 3: October 20/27, 2014, Paris, France; November 25/January 26–27, 2014, London, United Kingdom; September 10, 2018, Naples, Italy)
Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 5: November 25/January 26–27, 2014, London, United Kingdom; September 10, 2018, Naples, Italy)
Polished copper
11 x 60 x 60 inches
1:4 Scale Copper Surrogates (90º Bends, 127 1/2” 150º Antidiagonal/30º Diagonal Bisection, 77 3/4” 45º Diagonal/135º Antidiagonal Bisection, 60” Bisection, 120” Bisection, 127 1/2” 30º Diagonal/150º Antidiagonal Bisection, 77 3/4” 135º Antidiagonal/45º Diagonal Bisection: April 10, 2014/August 13, 2018, Los Angeles, California, September 11, 2018/September 12, 2018, Naples, Italy)
2014–
Polished copper, 6 parts
1:4 Scale Copper Surrogates (90º Bends, 127 1/2” 150º Antidiagonal/30º Diagonal Bisection, 77 3/4” 45º Diagonal/135º Antidiagonal Bisection, 60” Bisection, 120” Bisection, 127 1/2” 30º Diagonal/150º Antidiagonal Bisection, 77 3/4” 135º Antidiagonal/45º Diagonal Bisection: April 10, 2014/August 13, 2018, Los Angeles, California, September 11, 2018/September 12, 2018, Naples, Italy)
2014–
Polished copper, 6 parts
Cortés (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico; September 14–19, 2018: Real Fabbrica della Porcellana di Capodimonte, Napoli, Italy)
2013–2018
Ceramica Suro slip cast remnants, glaze, firing plate, and steel, wood, and soft-paste porcelain
20 1/2 x 19 1/2 x 29 inches
Detail of Cortés (August 28–September 10, 2013: Cerámica Suro, Guadalajara, Jalisco, Mexico; September 14–19, 2018: Real Fabbrica della Porcellana di Capodimonte, Napoli, Italy)
2013–2018
Ceramica Suro slip cast remnants, glaze, firing plate, and steel, wood, and soft-paste porcelain
20 1/2 x 19 1/2 x 29 inches
Lo Desconocido (February 17–March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico)
2015
Ceramica Suro slip cast remnants, glaze, and firing plate
26 1/2 x 42 x 31 inches
Three Color Curl (CMY/Six Magnet: Irvine, California, September 6, 2009, Fuji Crystal Archive Type C, Em. No. 165-021, 07109)
2011
Color photographic paper
51 1/2 x 109 3/4 inches
Black Curl (CMY/Five Magnet: Irvine, California, March 26, 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 06410)
2018
Color photographic paper
106 x 51 1/2 inches
Copper Remnants (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/5 Sections)
Polished copper
Dimensions variable, 7 parts
Il Mattino, Martedi 11 Settembre 2018
Newspaper, tape, and 22 karat gold leaf
39 1/8 x 31 1/4 inches
Il Mattino, Mercoledi 12 Settembre 2018
Newspaper, tape, and 22 karat gold leaf
39 1/8 x 31 1/4 inches
Il Mattino, Govedi 13 Settembre 2018
Newspaper, tape, and 22 karat gold leaf
39 1/8 x 31 1/4 inches
Il Mattino, Venerdi 14 Settembre 2018
Newspaper, tape, and 22 karat gold leaf
39 1/8 x 31 1/4 inches
Il Mattino, Martedi 18 Settembre 2018
Newspaper, tape, and 22 karat gold leaf
39 1/8 x 31 1/4 inches
Blind Collage (Three 180º Rotations, Il Mattino, Giovedi 20 Settembre 2018)
Newspaper, tape, and 22 karat gold leaf
39 1/8 x 31 1/4 inches
New York, New York, July 1, 2014, Frame No. 34
Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper
20 x 13 1/2 inches
Los Angeles, California, April 4, 2014, Frame No. 7
Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper
20 x 13 1/2 inches
Turin, Italy, November 3, 2011, Frame No. 4
Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper
20 x 13 1/2 inches
Turin, Italy, November 3, 2011, Frame No. 33
Epson Ultrachrome K3 archival ink jet print on Hahnemühle FineArt Pearl Paper
20 x 13 1/2 inches
A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)
2014
Bound letterpress and digital offset print volumes
27 11/16 x 19 5/8 inches, each
A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)
2014
Bound letterpress and digital offset print volumes
27 11/16 x 19 5/8 inches, each
A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)
2014
Bound letterpress and digital offset print volumes
27 11/16 x 19 5/8 inches, each
A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)
2014
Bound letterpress and digital offset print volumes
27 11/16 x 19 5/8 inches, each
A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)
2014
Bound letterpress and digital offset print volumes
27 11/16 x 19 5/8 inches, each
A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)
2014
Bound letterpress and digital offset print volumes
27 11/16 x 19 5/8 inches, each
A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)
2014
Bound letterpress and digital offset print volumes
27 11/16 x 19 5/8 inches, each
A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench (7 October 2013–6 October 2014)
2014
Bound letterpress and digital offset print volumes
27 11/16 x 19 5/8 inches, each
Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 17, 2014
2014
Ink on paper
10 x 12 1/2 inches
Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 18, 2014
2014
Ink on paper
10 x 12 1/2 inches
Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 16, 2014
2014
Ink on paper
10 x 12 1/2 inches
Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 15, 2014
2014
Ink on paper
10 x 12 1/2 inches